1 673 безкоштовних аудіофайлів для "F Sharp Chords"

V43 for comparison with viio6 as a substitute for V43 in Beethoven Piano Sonata in C major, Op. 2, No. 3, fourth movement.

Diminished triad on C , as MIDI.

Dominant form chord: Dominant flat ninth chord preceding tonic chord and possessing a primary dominant function.

C triad with doubling. Created by Hyacinth (talk) 23:44, 5 November 2011 (UTC) using Sibelius 5.

Diminished triad on B, as MIDI

Just dominant seventh chord on C. C E G B♭. 20:25:30:36. Greater just minor seventh.

Elektra chord implies an E Major and C# Major chord together (C# E# G# = Db F Ab)

Power chord on E. Created by Hyacinth (talk) 14:21, 27 July 2008 using Sibelius 5.

Alternate augmented ninth chord on C.

Dominant seventh in Beethoven's Fifth Symphony, last movement.

German sixth with 6/4 resolution, generated on Sibelius.

D♭7♯11 chord = G7alt chord.

Secondary half-diminished leading-tone chord in Brahms Op. 119, no. 3, mm.49-51.

Dominant thirteenth chord in four-part writing.

Dominant thirteenth: four-voice version.

Slonimsky's Pyramid chord. A G# F# D# B F# C♮ F♮ A C D♮ Eb = 0 e 9 6 2 9 3 8 0 3 5 6.

Just minor seventh chord (48:40:32:27) on C.

Just minor seventh chord on C.

Viennese fourth chord.

Major triad on C. Created using Sibelius.

Neapolitan sixth in C minor.

Thirteenth chord CMA13(sharp11).

C-sharp melodic minor scale ascending and descending.

C-sharp harmonic minor scale ascending and descending.

D-sharp harmonic minor scale ascending and descending.

G-sharp melodic minor scale ascending and descending.

D-sharp natural minor scale ascending and descending.

C♯ natural minor scale ascending and descending.

D-sharp melodic minor scale ascending and descending.

Ballade Nr. 4 f-Moll op. 52 Ballade No. 4 in F minor, Op. 52 Ballada f-moll op. 52

Generating chord for Michael Torke's Vanada (1984).

Dominant seventh in C in first inversion

Elektra chord: E B Db F Ab.

Diagonal barre chord: major seventh chord on G. The first finger fingers both the second fret on the first four strings and the third fret on the sixth string.

C major chord repeated at fff, ff, f, mf, mp, p, pp, and ppp dynamic markings.

Secondary chords in Maria Wolowska Szymanowska's Nocturne in B-flat Major, mm.1-5.

Farben chord.

Augmented triad on C, As MIDI

Quarter-comma meantone major chord on C.

Beta scale dominant seventh chord on C. Created by Hyacinth (talk) 07:35, 12 April 2011 (UTC) using Sibelius 5 with midi pitch bend. Pitch bend appears to match intervals.

Soft, yet simultaneously powerful synth pad/synth string chords. Lightly processed- only minor eqing and reverb touches. Chord progression based in f# major. Free to use as desired.

The Holly and the Ivy with piano accompaniment by Cecil James Sharp

Voice leading for dominant eleventh chords in the common practice period. Created by Hyacinth (talk) 23:16, 6 July 2009 using Sibelius 5.

The chord of E major played on an acoustic guitar. El acorde de E major toca en una guitarra acoustica.

This is tune to the English Folk Song "King Herod and the Cock." The sheet music can be found on pages 20–22 in English Folk-Carols by Cecil James Sharp. The music is

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (g♯7 to A).

C triad open position.

bdim7=do7=fo7=a♭o7 and it's enharmonic equivalents resolving (d7 to E-flat).

Suggestion of bitonality in Beethoven's Sonata in E♭ for Piano, Op. 8la.

Dominant form chord: Diminished leading-tone chord preceding tonic chord and possessing a secondary dominant function.